However, because I'm a pantster, I began writing these books without rhyme or reason, doing the research into the era as I went along. The stories were supposed to be in succession, each man finding his bride a year after the other. At one point, however, I hit a giant snag. One of my characters had to be in London for the Parliamental session. I dove into my research and found, Parliament wasn't in session for that month. Nor, for the remainder of the year in fact.
I had three books begun, each with about 40K words each. And now, each of the these stories wouldn't work. I'm a stickler for accuracy in my facts, (I hate it when reading an historical and there's a mistake.) I didn't know what to do. I couldn't throw away all these books and start over. I needed to find a way to make them work.
And so I decided to make them wrap-around each other, or overlap, if you will. For those of you who remember THE LADY'S MASQUERADE, this is the story which began it all. We have William, Robert, Richard, and Ellis.
March 1810 -- September 1810.
William requires help finding out who is after Penny. Robert and Richard play significant roles. Ellis has two small scenes.
THE LADY'S FATE -May 1810 -- June 1811
Robert plays a significant role for Ellis in helping him aquire the hand of Violet.
THE CAPTAIN'S LADY --September 1810 -- February 1811
Robert and William help Richard fight for Amanda.
THE DUKE'S DIVORCE --March 1811 -- July 1811
Ellis and William seem to be able to help Robert with his bride Fiona.
THE EARL'S ENIGMA --May 1811 -- October 1811
I haven't quite figured out this story yet. Rory is still new to me. But he still overlaps with the others somewhat.
Now, writing the stories this way solved several problems at once; allowed me to combine characters and storylines from one book into another, kept me from having to do uncessary research (and therefore allowed me to write more), and kept all the characters fresh in my mind. They're all friends and friends lives do tend to overlap
However, the biggest drawback to writing a series in this way is keeping all the characters where they're supposed to be in all the other books. For example, at one point in THE LADY'S FATE, Violet is waiting to hear from Ellis. He explains, he was in Trilling for the nuptials of his brother William. Because in THE LADY'S MASQUERADE, Ellis does indeed show up for the wedding. In THE CAPTAIN'S LADY, Robert needs to be single as the villain mistakenly identifies him as his wife's new lover, and William needs to be married, because Penny and Amanda both need to be pregnant at the same time. And somewhere in THE EARL'S ENIGMA, all the characters from all the books need to be at the Prince Regent's grand party in June of 1811.
Yes, I have a lot of notes.
But I'm loving the way it's turning out.
Tell me -- Do you read series novels? Do they overlap or are they progressive?
Stay tuned next week when I discuss overlapping characters... especially these two.


